"Lady Windermere's Fan" (1925) A Film by Ernst Lubistch Based on the Play by Oscar Wilde

Regular price $2.50

In London, Lady Margaret Windermere is busy discouraging Lord Darlington's flirting, while her husband receives a letter from Edith Erlynne, "a complete stranger," asking to meet him on an urgent matter. A woman of great beauty but terrible reputation, she reveals that she is the mother of Lady Windermere, who believes she is dead and reveres her memory. Fearing that his wife would be crushed by the truth and seeing a pile of bills on Mrs. Erlynne's desk, Lord Windermere gives her a cheque for £1500 for her silence.

Mrs. Erlynne resumes her scandalous lifestyle. At a horse race, she attracts the attention of many, including members of the Windermere party, notably Lord Augustus Lorton, "London's most distinguished bachelor," and three snoopy, gossipy women. As Lord Windermere defends Mrs. Erlynne to the latter, his wife becomes a bit concerned. Mrs. Erlynne leaves. Lorton follows and is soon calling on her regularly.

For Lady Windermere's birthday, her husband gives her jewelry and a lovely fan. When he leaves the mansion, she and Darlington by chance see him dismiss his chauffeur and take a taxi instead.

Darlington then tells her that Mrs. Erlynne's name may be found in her husband's cheque book and declares his love for her. Meanwhile, Mrs. Erlynne blackmails Lord Windermere into an invitation to a ball that night, explaining that such "social recognition" might help elicit a marriage roposal from Lord Lorton. When he returns home, his wife confronts him with his copy of the £1500 cheque, which she found after breaking into his locked desk drawer. He tells her he only helped a deserving woman in need, but she becomes further infuriated when he informs her that Mrs. Erlynne will be coming to their ball that night.

Faced with his wife's strong opposition, he sends a note to Mrs. Erlynne, asking her not to come. She does not open it, assuming it is her invitation, and goes to the ball. She is not on the guest list, but then Lord Lorton arrives, and she uses him to gain entry. She induces a reluctant Lord Windermere to formally introduce her to his wife. This awkward moment does not go unnoticed, and gossip quickly spreads. However, Mrs. Erlynne adroitly flatters the chief gossiper, and soon she is accepted by the other women guests.

Unaware of this, Lady Windermere flees to the garden. She then thinks that she sees Mrs. Erlynne flirting with her husband. In fact, she is talking to Lorton, who asks Mrs. Erlynne to marry him. Mrs. Erlynne spots Lady Windermere and tries to clear up any confusion, but Lady Windermere will not listen. Instead, she flees to Darlington's house, though the man is still at her party.

Mrs. Erlynne finds her farewell note to her husband and takes it away. At Darlington's house, she tries to persuade Lady Windermere to go home, telling her that she ruined her life in exactly the same manner. Then Darlington arrives, accompanied by Lord Windermere and some other men, the ball having ended. The two women hide in another room, but Lady Windermere forgets her fan on a sofa. Lord Windermere demands that Lord Darlington explain what his wife's fan is doing there. Mrs. Erlynne comes out and apologizes for having taken it by mistake. All the guests, notably Lord Lorton, leave. Meanwhile, Lady Windermere leaves the house unseen.

The following day at breakfast, Mrs. Erlynne comes to return the fan and take leave of the Windermeres, as she is going back to France. Lady Windermere wants to tell her husband what really happened the day before, but Mrs. Erlynne dissuades her. On her way out, Mrs. Erlynne encounters Lord Lorton and tells him that she was shocked by his behavior the previous evening and that she no longer wants to marry him. He is flabbergasted, but after thinking it over, follows her into her taxi. --Wikipedia.Org

The music for this video is new and has been included recently.

About the Director. The term, "The Lubitsch Touch," first became associated with the director during his early years in America when he was producing “small-scale, small-cast efforts that dealt with intimate relationships between married couples, lovers, or immediate members of a family” (Carringer and Sabath 7) for Warner Brothers. Lubitsch had become one of the highest regarded directors in Hollywood and one of the few directors recognisable to the general public; his name being as much a film’s selling point as its stars. It is arguable that the reason for this was not just the result of the success of his movies –all of them critically acclaimed, but not all of them commercial successes– but because of their uniqueness and his importance not just in Hollywood but also to European cinema. --Offscreen.Com